The first big chunk of 2019 is past and it’s been a remarkably busy season in the land of film. The idea of a summer season has largely been abandoned by Hollywood. While the big releases do still crowd the summer months, the expected blockbusters now start coming out in February or March and the schedule slows down only briefly in late August and September before October’s horror celebration and the run of big holiday movies for the end of the year.
And while 2018 may have been a bit more lackluster than expected when it comes to actresses in big movies and action, 2019 has been putting women front and center, and with more to come.
The Scene So Far:
The first big woman-led movie of the year turned out to be James Cameron’s adaptation, Alita: Battle Angel. Originally supposed to be out in 2018, the film got pushed back and was released unceremoniously in mid-February. It did very well in foreign box office, however, earning over $404 million globally, well past its large budget. While the white-washing of the Asian main character was not ideal, rising star Rosa Salazar did turn in a nice performance as the cyborg heroine, backed by Jennifer Connelly, Michelle Rodriguez, Lana Condor and Eliza Gonzalez.
A few weeks later, in March, we got the long awaited first woman-led movie from Marvel, Captain Marvel. The film starred Oscar winner Brie Larson in the titular role of the human fighter pilot Carol Danvers turned space warrior, along with legend Annette Bennet, Lashana Lynch, Gemma Chan and Akira Akbar. The movie, set in the 1990’s and being the penultimate chapter in the decade-long Avengers movie saga, was expected to do well, but it went beyond “well,” bringing in over $1.1 billion and still going in global box office. While Marvel’s future plans for films in the Marvelverse are less well-known, it now seems likely that several of them will be woman-led films, including the Black Widow prequel film.
Other woman-led films in the uneven February and March part of the season were a mix of hits and misses. Sequel time loop thriller Happy Death Day 2U debuted for Valentine’s Day, with Jessica Rothe returning to her starring role, backed by Ruby Modine, Rachel Matthews, and Sarah Yarkin. The low budget film took in over $64 million, which might mean another entry for the franchise will be in the works. Animated movie Wonder Park, starring Brianna Denski, with Jennifer Garner and Mila Kunis, successfully took in over $115 million. Jordan Peele’s much anticipated new horror movie, Us, starring Lupita Nyong’o with assistance from Elisabeth Moss and young star Shahadi Wright Joseph, brought in over $253 million and still going on a modest $20 million budget.
Actresses also scored with other low budget movies such as the reboot What Men Want, starring Taraji P. Henson, which took in over $72 million on a small budget, Rebel Wilson’s spoof Isn’t It Romantic, with over $48 million and British wrestling comedy Fighting With My Family, starring Florence Pugh for over $39 million. The action thriller Miss Bala, starring Gina Rodriguez, however, failed to do more than meet its small budget in box office. And psychological thriller Greta, starring Isabelle Huppert and Chloe Grace Moretz, did not break out, earning only a bit over $13.5 million.
April brought us horror film The Curse of La Llorona, starring Linda Cardellini, which made a successful $113 million plus on a tiny budget, showing once again that women can make horror quite profitable. Children’s movie Mia and the White Lion, starring Daniah De Villiers, only took in $26 million on limited distribution but had a small budget. Other April woman-led movies did not break through – superpower drama Fast Color, starring Gugu Mbatha-Raw, could not get a wide enough release; comedy Little, starring Marsai Martin (the teen actress who came up with the film,) Regina Hall, and Issa Rae, has made a small profit at $47 million so far; Rust Creek, a backwoods thriller starring Hermione Corfield, also made very little in limited distribution; Stray and A Hole in the Ground and Level 16 are horror movies that barely made a blip; and religious drama Mary Magdalene, starring Rooney Mara, only really earned in international markets as an art film.
The newest women-led movies out this month are comedy caper The Hustle, starring Rebel Wilson, who also co-produced the film, and Anne Hathaway, which has pulled in over $32 million its first week. We also got Poms, a comedy film full of older actresses, led by Diane Keaton, which has just debuted this weekend.
Moving to the big action films where women have major supporting roles in the first part of the year, the big gorilla was the release of the final part of the Avengers inter-linked movies – Avengers: Endgame at the end of April. The giant time-travelling finish had most of the Marvel women returning, with key roles for veteran Scarlett Johanssen, Captain Marvel’s Brie Larson and Guardians of the Galaxy’s Karen Gillan. Despite not being in any way a summer release, Endgame took in over a billion in box office just in its opening weekend and is now over $2.5 billion, smashing records left and right.
Other big releases were animated sequel How to Train Your Dragon: The Hidden World, featuring America Ferrera, Cate Blanchett and Kristen Wiig, for an over $517 million global take, and animated/live action mix The Lego Movie 2: The Second Part, starring Elizabeth Banks, Tiffany Haddish and Alison Brie, which earned over $190 million, (probably less than they were hoping for.) Dumbo, a mix of live action and CGI and the latest of Disney translating their classic animated movies, starred Nico Parker and Eva Green. It took in over $344 million in box office but that is about breaking even for it because of its large production and publicity budgets. Still, Disney knows how to monetize over the long term. Pokemon: Detective Pikachu, another animation/live action mix, just debuted and has made over $187 million globally, with supporting performances from Kathryn Newton, Suki Waterhouse and Rita Ora.
DC’s entry so far this year was Shazam! which took in over $360 million and is still climbing, and had supporting performances by Faithe Herman and young Grace Fulton. M. Night Shyamalan finally completing his superpower trilogy with much buzzed film Glass for over $247 million on a small budget early in the year, starring Anya Taylor-Joy, Sarah Paulson and Charlayne Woodard. YA romance adaptation Five Feet Apart, starring Haley Lu Richardson, did better than the YA films of last year and earned over $78 million on a small budget.
Several prominent horror films were also released this spring with mixed results. A reboot of Stephen King’s Pet Sematary, starring Jete Laurence and Amy Seimetz, took in over $109 million with a very modest budget. Escape Room, starring Taylor Russell and Deborah Ann Woll, did very well with over $155 million in box office on a tiny budget. The reboot of Hellboy, which went for a more violent horror approach to the superhero, featured Milla Jovovich as the chief villain and Sasha Lane, but it failed to get much foreign distribution and has not earned past its mid-sized $50 million budget. The Prodigy, which starred Taylor Schilling, turned a small profit because of its low budget but hasn’t cracked $15 million in box office.