Tag Archives: fantasy

An Excellent Twitter Rant on Post-Apocalypse and Other World Building

Sigrid Ellis points out a basic problem in writers and of course, television/movie writers in doing post-apocalyptic dystopias. It’s also applicable to pre-industrial secondary world-building as well in fantasy as well.

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The New World Fantasy Award

The new design for the World Fantasy Award has now been officially announced and it’s gorgeous! Really impressive job by artist Vincent Villafranca.

 

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Women in Film – Part 1: 2016 Review

It’s time to get back into the topic I’ve been trying to do annually for a few years now on how female actresses are doing in box office power in the big budget action, SFF, thriller, action comedies and horror films of each year – the mostly bigger money, bigger press or “cool” films that can catapult actors into a very high tax bracket. In the previous year of 2015, women packed a lot of punch in their roles in franchises and led in Star Wars: The Force Awakens and several other quite successful films, so 2015 ended up being a bigger year for the actresses than expected. 2016 did not quite match it, perhaps, in buzz, but at the same time, it marked a genuine shift and momentum that has been developing since 2012. Actresses are still struggling with blocks to their participation in film, but have firmly established themselves in action and big budget, a trend much less likely to reverse at this point.

A good chunk of that is again due to the folks at Star Wars/Disney. Needing a placeholder movie for 2016 to tide people over till Star Wars: The Last Jedi at the end of this year, the Star Wars machine planned their first supplementary prequel film for December 2016 — Rogue One: A Star Wars Story, which covers the desperate mission to obtain the plans for the Death Star taken out in the very first Star Wars movie, A New Hope. That was a bit special and the filmmakers did some rather special things with it. They first off made the story a grimmer, tragic, bitter war flick along the lines of The Dirty Dozen or The Guns of Navarone (which let’s face it, always pleases critics and fanboys.) They CGI-wizarded one of the late great actors of the original Star Wars films, Peter Cushing, into a useful cameo and made excellent use of Darth Vader, (nice to hear James Earl Jones having fun with the voice again.) They came up with my now favorite robot, K2, voiced by the beloved Alan Tudyk in full snarky form.

And they decided, even though Force Awakens had been a woman-led story, to have Rogue One be one too, with Felicity Jones playing Jyn Erso, daughter of the designer of the Death Star, who leads a rogue platoon to go get the plans and try to reach her father. They expected the film to do well in December but not quite in Force Awakens territory. But the dramatic caper was a huge hit, coming in as the second most successful movie of the year, with over a billion worldwide box office and still going. Even if you argue that Star Wars has a bit of a built-in safety factor as a franchise, that the new SW movies have both been women led and done phenomenally does more than trickle, trickle erode the argument that women can’t open big movies well. And Rogue One is also set up to have solidified the change in the toy industry after Rey in Force Awakens forced the issue – lots of Jyn action figures and related merchandise, doing very well.

“I rebel.”

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A Passel of Web Series

Greetings new followers! I’ll try to have actual content for you.

Recently I got introduced to some web series work by actress, writer and producer Joanne Gaskell that I believe one could call geekerrific. (Don’t hurt me.)

The biggest, best known one is Standard Action, a satirical fantasy series that takes place in a world that is D&D-ish, down to characters talking about experience points and charisma scores, makes fun of its own low budget by using light-based special effectgs and puppets with remarkable effectiveness, and throws in reference points from everything from The Princess Bride to Doctor Who. The first season follows the formation of an adventuring party of outcasts that set about on a rescue effort. The second season involves what happens when the adventurers meet the entity behind what happened in the first season, and the last, third season (so far,) ventures into a multi-verse. There may also be an online comic attached to the series. Here’s the first episode of the first season:

 

The second web series is One Hit Die. It is similar to Standard Action, and can be said to take place in the same universe, but the style is a little different as the series breaks the fourth wall and has the characters periodically talk to the camera about their thoughts, like a reality show or fake documentary shows like The Office. One Hit Die has a short, introductory first season, an additional two part short called Crushmas and then a longer second season entitled One Hit Die: Legend of the Lich Lord. Here’s the first episode of season one:

And lastly, Gaskell was part of producing a three-part short story for The Gamers web series, a series which has been going on for some time now. The short entry is called The Gamers: Natural One, and involves a non-gamer put to the test by his girlfriend’s family. Here’s the first episode:

Not every joke is a hit or a great choice, but they are creative, fun, with enjoyable characters and a good attitude. Enjoy!

 

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Women In Film Take the Stage – Part 1, 2015 Review

It’s time (finally!) for Women in Film, where we take a look at the state of women actors in tackling the serious Hollywood box office – the “summer” blockbusters, tent pole special effects movies, high octane action films, suspense thrillers, horror flicks, big buzz dramas, children’s and animated major features and comedy adventure films. In this first part, we’ll take a look at the past year of 2015. In Women in Film, Part Two, we’ll take a look at what’s been happening so far and what’s still to come in 2016 (and a little about 2017 and beyond.)

I will admit that I did not, going in, have particularly high expectations for the movies in 2015 when it came to the “lady actors.” I thought, from the look of those revamped big boy franchises for that year, that 2015 would be something of a placeholder year , like 2013 and 2014 – a year that didn’t particularly lose the trickle, trickle gains for women set off in 2012, since it would have some women leads in films and women in major supporting roles in big ensembles, but didn’t dramatically advance them either, since the machismo looked to be coming out the ears of the summer and winter line-ups.

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Musings on Some of my T.V. Shows (May Contain Spoilers)

Having risen from my gasping sick-bed, I can now comment on all the t.v. I watched while recovering:

Grimm: Juliet may not be dead! That would be cool, if so. Because Juliet is a great character, but the writers only occasionally write anything interesting for her. Otherwise, she tends to be in a coma or possessed/going crazy or warning Nick to be careful. And the way she seemed to go out was poorly done. I still love you show, but bring her back from the refrigeration and I’ll be a lot happier. In any case, the new players in the over-arch plots seem interesting.

UPDATE: Juliet is alive! And Trouble is back! Way to go into the mid-season break, people.

Walking Dead: Sorry, folks, but the only way that Glenn is actually alive is if that fall off the dumpster was a dream/concussion sequence. Which is possible, but with these writers, I suspect unlikely. Walkers were biting him on the shoulders. My progression with this show has been 1) found myself not able to watch it much despite some quality acting because the characters were too clueless to live; 2) decided I could watch it if I rooted for the walkers to kill them; 3) came to like some of the characters, who also had gotten (and their writers had gotten) a bit smarter and hoped they didn’t die maybe. And Glenn was one of those last, and the only Asian they have of course. Everybody knew eventually he’d go out (because comic books,) but I agree that wasn’t the perfect way for him to go out. But it was very much a Walking Dead way to go out — killed by stupidity.

UPDATE: Glenn is actually alive because Walking Dead just outright cheated on their camerawork and hoped we didn’t notice. But that’s okay. Everybody else is going to die soon, though.

Z Nation: George R.R. Martin as a zombie is one of my new favorite things.

UPDATE: Still one of my favorite new things.

Supernatural: You know I love you, show, but I’m calling it for this season: The Darkness is boring. Still a lot of fun writing in the individual episodes, but the problem with the super-ancient, super powerful big bads is that the writers then have to stall the whole season to get into battle with them. Sometimes that works for Supernatural (angels, yellow-eyed demon,) or sort of works (leviathans,) but this one is not working for me. You’re in your old age, show, could you not come up with something better?

UPDATE: The Darkness has gone from boring to deeply annoying. But Lucifer is back! And they gave him great lines! Had to make Sam as clueless as a post to do it, but such a relief.

Arrow: Nice use of Constantine, folks! That show had a number of problems before it was cancelled, but Matt Ryan playing John Constantine was not one of them. And so the folks at Arrow brought him back to reprise the character into Arrow’s universe. And he stole the show of course. He almost made the undercover in the island poppy fields flashback plot bearable. (Let’s wrap that flashback up, pretty please, Arrow?)

UPDATE: Seriously, we’ll pay you to end that island flashback. Lovely crossover with The Flash though.

Sleepy Hollow: A crossover two-parter with the cast of non-speculative, forensic mystery show Bones? A hot mess, though the actors clearly had fun. We used to watch Bones but gradually stopped when they became obsessed with having different sorts of serial killers trying to constantly kill the main characters. Went back to see the wedding episode and it looked like they were winding down. But they’ve stayed on and more power to them. But having Bones puncture mysteries, as she does, and having her universe actually be full of magic she’s missing was painful to watch. And what would have been a decent Sleepy Hollow Halloween episode with British soldier zombies just got awkward. So please don’t do that again. Otherwise, SH’s new season seems to be going fairly well, though at this point, I think we could do with less Betsy Ross flashbacks. It doesn’t make sense with the Crane going over to the rebels in part because of Katrina thing they already had. Also, I’m kind of hoping Crane’s new flame turns out to be evil, as she otherwise seems too much like the costume maker who had a crush on Crane and got killed for it.

UPDATE: Sleepy Hollow got nicely revved up for the mid-season break. It’s been announced that they will now be exiled to Friday nights. The upside: no more crossovers with Bones.

Doctor Who: Happy with the return of Osgoode, and actually enjoying punk rocker, sunglass wearing Doctor as opposed to the early cranky old doctor routine, but what is with the continual two-part episodes? It’s getting a bit laborious.

UPDATE: Very laborious season though it had its high spots and Clara eventually went out okay (though she had to wear an unattractive grey sweater throughout most of it.) And River returns for the Xmas special!

Agents of S.H.I.E.L.D.: I’m enjoying the season so far, but why are the writers obsessed with keeping FitzSimmons tortured and apart from each other? At this point, if they do any more of it, the two will just curl up into gibbering balls. We could use one romantic relationship that actually works on the show. (And no, Bobbi and Hunter don’t exactly work together.)

UPDATE: I take back my comment that Bobbi and Hunter’s relationship isn’t working well. But torture mostly continues for everybody else.

Also, the other television people: stop making more shows I want to watch. I have a life, you know. When I’m not coughing up a lung.

UPDATE: I’m talking to you, The Expanse!

 

 

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Game of Thrones Gloriously Helps Out Red Nose Day Campaign

In case you didn’t get to see it/knew about it on the Internet, here’s the preview teaser and then whole video documentary of Game of Thrones, the musical, for fund-raising for the Red Nose Day campaign. I imagine views still help them out with revenue from YouTube and such, and believe me, it’s worth seeing.

 

 

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