During most of the Great Hugo Campaign That Wasn’t that spun out of the “hope we get the conservative media pundits interested” mess that were the Puppies, I was really busy, some good and some bad. I would talk about the situation in various spots when I had the chance, and it certainly made for a particular type of entertainment, but I wasn’t about to try to fully hop in. And now that the Hugos have been handed out for 2015 and the Puppies are trying to figure out how to keep things going while whining about the new Star Wars tie-in novel from Chuck Wendig having a gay protagonist, I’m not inclined to hash things out further. Not specifically about them any-hoo. The more general topic of discrimination, I have some things to say, when I can get to it.
But I do have some links I collected of other people writing about the whole Hugo thing that I thought were informative and cogent over the seven months of deep, deep puppy whining and spitting. So in case you missed them, you can peruse at your leisure:
First up are two pieces by author Kameron Hurley, one for The Atlantic on the situation, and one on her blog about Internet hyperbole re the situation.
Then, there is Amal El-Mohtar‘s take on the Puppies.
Eric Flint, a liberal author who both publishes with and edits for Baen Books, broke apart the Puppies’ claims in this article and its sequel.
And Philip Sandifer‘s angry cultural takedown of the Puppies, which got him his own nickname from them.
Sandy Ryalls on a blog at BlackGate.com commented on the heart of the conflict.
Author K. Tempest Bradford pointed out unintended consequences from the Puppies’ assault on the Hugos.
Author Jim C. Hines took a close look at what the Puppies were actually saying.
M.D. Laclan at FantasyFaction.com looks at the cultural timeline and how both past and future SF does not fit the Puppies’ narrative.
Author and screenwriter David Mack offers a detailed analysis of why Puppy nominee and participant Amanda Green’s essay on his Star Trek novel that she put in her Hugo Fan Writer nominee packet is full of hot air. (This fits with what Green is now trying to do with Chuck Wendig and what the Puppies tried to claim about Star Trek in general.)
Author Tobias Bucknell explains why the image of SFF fandom as a safe place free of attacks like the Puppies’ was always a myth.
Kevin Standlee explains how the Puppies’ mercantile demands show they don’t understand the nature of the Hugo Awards at all.
Carrie Cuinn and Aaron Pound both individually look at author and Puppy Hugo nominee Lou Antonelli’s illegal swatting attempt of WorldCon Guest of Honor David Gerrold and WorldCon itself.
Miles Schneiderman covered the whole debacle for YesMagazine.org.
Cartoonist and writer Barry Deutsch looks at the up-coming Sad Puppies IV for next year and explains why it’s still a voting slate attempt.
And writer and game designer Alexandra Erin wrote several very intelligent pieces about the Puppies and also provided some brilliant satire during the whole ordeal:
“Sad Puppies Book Review: The Monster at the End of this Book”
“The Barker and the Big Tent”
“This Just In”
“Interview with a Pratt”
“Hugo Awards: Upset Fans Say No to Sad Puppies”
If you do wade through all that, do not despair in the end. The Hugo Awards are fine. And fandom isn’t any more split than it was before. It’s just now those divisions are a bit more out in the open, with the aid of Internet screaming. That’s not, necessarily, a bad thing, although it makes it a little tricky for the publishers. But they could use some shaking up, frankly. They are the ones who have produced a SFF field that is 90% white people, mostly writing about white people.